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When Tina is dragged along the ceiling as she is killed. To do this they built the room out of mettle with 3 rotating axis. They just covered the metal with scenery walls, to make it look like a regular bedroom. They bolted the camera, and every piece of furniture to the floor of the room. Nick Corri, who plays her boyfriend was similarly harnessed to the floor. As Tina is dragged across the ceiling the room is upside-down and she is simply rolling around on the ceiling of an upside-down room. Since the camera and Rod are both strapped to the floor of the room it creates the illusion that she is flying around the room. See more...
A Nightmare on Elm Street (1984) - 63 mistakes
Directed by Wes Craven, starring Heather Langenkamp, Robert Englund, Johnny Depp, Charles Fleischer (add more)
Visible crew/equipment: This is during the part where the girl dies in the bedroom with her boyfriend (where she gets dragged up along the roof). Just before, when you see the marks made by Freddy's glove, and her hands come up to show her pain, she clearly grabs a chunk of the thin latex pad (best viewed in slo-mo).
Continuity: When Nancy is at her bedroom window, she says "OK Krueger, we play in your court" and she is holding her alarm clock. She then pulls down the blind, then when it cuts to inside, Nancy is walking over to her bed but isn't holding her alarm clock. If you look, the clock is on her bedside table, but she doesn't put it there.
Revealing: Near the beginning, during Tina's first dream, Tina gets cornered in front of one of the furnaces. She steps forward and Freddy jumps out from behind her and scares her. When she steps forward, Freddy (who is trying to lean down out of the shot) is seen stepping sideways to position himself to scare Tina.
Continuity: When Nancy is in the boiler room towards the end of the movie, Freddy suddenly jumps out at her and scares her. In this shot Freddy is wearing his hat. Earlier in the movie Nancy takes the hat from in the movie. After the shot where Freddy jumps out at her with his hat on, the next scene is showed chasing her down a stair case without his hat.
Continuity: When Nancy gets out the bath, and after her mother leaves, she locks the door then leans back on the sink. Between a wideshot and following closeup, as she leans back, the way her towel and bathrobe are positioned (around her neck) changes. Also, into the wideshot she crosses her arms yet it the closeup her left hand is up by her shoulder.
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