Continuity: In most shots in the hotel room the houses you can see through the windows are quite far away, like across a wide street. Only in one shot, when Estella stands nude in front of the window, there is suddenly a window only a few meters away, through which one can see an Indian woman with her daughter, surprisingly unaware of the naked Estella.

Plot hole: At the beginning of the film Lustig suddenly emerges from the water right in front of Finn. It's not possible that he could have been hiding in the shallow water without Finn noticing him.

Factual error: Hawke rides the subway twice during the film. Both times Hawke takes the "G" train. Unfortunately the G doesn't go through Manhattan where he is, it only goes through Brooklyn and Queens.

Continuity: When the drunken Finn is shouting in front of Mrs. Dinsmoor's NY house he is holding a full liquor bottle in the left hand, then he empties it out, holding in his right hand, and finally he throws away a miraculously refilled bottle with his left hand again.

Continuity: After looking at her portrait Estella folds it up and puts both ends in one hand not to have to look at it any more. When she gets up she is holding it with both hands again.

Continuity: At the beginning of the movie Finn is drawing standing in shallow water. He is holding his pen right at the tip, however, a close-up of his drawing shows a long part of the pen but no fingers holding it.

Plot hole: How on earth did Lustig's killer get on the subway, when the three guys who were after him couldn't?

Continuity: When Mrs. Dinsmoor leaves the terrace the glass of wine which she had just emptied is almost full again.

Revealing: When Finn draws a fish at the beginning of the film you see a dent already in the paper at the spot where he draws the eye.

Continuity: When Finn runs to Ping's restaurant to meet Estella he is almost hit by a car. You can see that all other cars, which are scattered along the road, aren't moving.

Continuity: When Estella gets dressed after being painted in the hotel room, she doesn't put her bra back on. On the other hand, when she puts on her sexy panties she pulls it over another pair of long black underpants that she didn't wear when she came.

Continuity: In the beginning of the scene when Estella comes to Finn's hotel room some strands of her hair, which were hanging in front of her face, get tucked behind her ears, while she is sitting on the bed with her hands down.

Continuity: When Finn rides the subway from the airport to the hotel he his playing with a airplane model. In close-up it lands on the NY subway map, which hangs behind Finn on the wall, way beyond reach while he is sitting there.

Visible crew/equipment: When Estella and Finn kiss each other at Finn's place there is a mike in front of Finn's head (upper left corner).

Continuity: When Finn comes back with Estella to draw her portrait Mrs. Dinsmoor's sofa is rearranged: e.g. a table with flowers is gone, the blanket covers the whole backrest now, and a stool is placed in front as a support for Finn's drawing.

Continuity: At the beginning of the movie, before Finn leaves the boat, he picks a pen from a box. In the next shot he is holding his scrapbook in the same way he was holding the pen box before.

Plot hole: Before Lustig dies he gives back Finn's scrapbook that got lost during their first encounter. In that scene there is no evidence that Lustig gets hold of the book, and the only explanation would be that Lustig picked up the stranded scrapbook later. This looks quite far-fetched to me, especially since Lustig was hiding in the dunes, and the scrapbook looked way to good to have spent a long time in the water.

Continuity: In the scene where Finn paints Estella's portrait Mrs. Dinsmoor puts down the same empty glass twice.

Continuity: Mrs. Dinsmoor doesn't visibly age over a time span of about 15 years.

Continuity: Lustig's murderer enters the subway car through the connecting door. After the stabbing he runs back and tries to leave through an exit next to this door. However, in the previous shots Lustig and Finn were standing right at that exit, which means that the stabbing shot was taken at a different spot than where the two protagonists were shown before, i.e. it was taken farther away from the connecting door.