Factual error: Scarlett is seen walking on the main street on the way to the hospital. You can clearly see a light bulb in one of the street lights.

Continuity: In the scene where Scarlett is talking to Ashley about owing the carpet bagger 300 dollars right before Ashley kisses her you can see a definite change. Ashley has different dirt on his face and Scarlett's dress looks lighter. Her hair is also loose in different places.

Revealing: In the scene where Ashley is brought back wounded from the raid where Scarlett's husband Mr Kennedy was killed, Melanie grabs a lamp to follow the man carrying Ashley to the bedroom and you can see an electrical cord hanging down from it.

Continuity: The shadow scene in which Scarlett and Melanie care for the wounded in the Atlanta hospital was filmed with two doubles. Since Leigh and de Havilland were standing at the wrong angle to cast the shadows, two stand-ins were positioned in front of the high-intensity light. The shadows of the doubles were reflected on the wall behind the stars, and the result was a stunning visual effect. Yet upon a closer look, the gestures of the stand-ins are not totally synchronised with the movements of the stars.

Continuity: When Scarlett is attacked in the woods on a bridge while on her way to the lumber mill the buggy very nearly goes off of the bridge backwards. Then Scarlett faints, but when the camera returns to the full shot of the buggy, suddenly it is squarely in the middle of the bridge and in no danger at all of falling over the edge.

Continuity: In the scene showing guests arriving at the Wilkes' barbecue, you see buggies and carriages driving through the front gates and up the drive toward the Wilkes' home. The carriages clearly create shadows on the ground, but not on the stone pillars of the gates. This is because when the movie was filmed, there were no actual gates. The gates were later "painted" into the frame.  Proving someone forgot to "paint" shadows onto the pillars.

Factual error: The credits for the Tarleton brothers in the opening credits have the twins switched with their actors. George Reeves doesn't play Brent, he plays Stuart. You know this because in the opening scene the two boys are talking about the party and asking Scarlett for dances, and George Reeves points at his brother and calls him "Brent."

Continuity: During the burning of Atlanta scene, Rhett and Scarlett are escaping in a wagon. The horse stops, spooked by the fire, so Rhett throws Scarlett's shawl over the horse's eyes. The mistake is that as soon as Rhett grabs the reins, the horse throws off the shawl, and suddenly no longer is afraid of the fire.

Continuity: In the scene when Rhett is saying goodbye to Scarlett before he leaves her on the road to Tara alone, he throws his hat behind him onto the road and takes Scarlett into his arms.  However, a few moments later, he picks the hat up from the fence at his side along with his coat.

Continuity: When Scarlett and her father talk in the setting sun his riding whip casts a shadow on her face although the sun is in their back.

Continuity: While our protagonists flee from the burning Atlanta the carriage stops. A bearded soldier walks by carrying another man. A few moments later the camera focuses on a young man who collapses and is being picked up by exactly the same guy who was carrying him already. The mistake wouldn't be as pronounced if it weren't been one of the few instances where action by extras is highlighted.

Continuity: When Gerald O'Hara comes back from his afternoon ride he meets Scarlett in the fields. In the middle of the conversation, while they are walking along, the formerly bright sky all of a sudden turns to a dusky red, and Scarlett has a new hairdo that covers her ears.

Continuity: When Aunt Pittipat serves her last Madeira Uncle Peter is standing on her left. Then the camera angle changes to a close-up on her, and in the next wide shot Uncle Peter is standing on her right.

Continuity: When Rhett drops Scarlett at Ashley's birthday party she is wearing a violet veil attached to her hairdo. When she enters the room where the guests are, the veil disappears when the camera angle changes while she is standing in the door.

Continuity: When Rhett stops the carriage on the bridge at the turn for Tara, he pulls the brake to keep the carriage from moving. When Scarlett drives off in the carriage, she does not release the brake.

Visible crew/equipment: When the O'Hara family does their prayer you see two boom mike shadows on the ceiling.

Audio problem: After Scarlett leaves the hospital in disgust she runs into Rhett. When she climbs into his buggy she asks him if he can take her to her Aunt's, but her lips aren't moving.

Revealing: After Frank Kennedy's death Scarlett is sitting in her room, "mourning" and drinking. When she hears Rhett's carriage she goes to the window. In this moment you see shadows, either from crew members or equipment, cast through the room, especially visible on the bottle on the table. There is also some funny shift of the backdrop outside the window.

Continuity: When Scarlett sees Frank Kennedy while she's working in the hospital, there is something on the left side of Frank's face in the close up shot of him. In the next shot that shows Scarlett and Frank, it is no longer there.

Continuity: When Scarlett fights with the two men on the bridge she loses her hat. When she drives off her head is still bare, but but seen from behind in the next shot the hat is back. When Big Sam catches up with her the hat is gone again.