Factual error: There is no lift in the Empire State Building running between 1st and 100th, as shown on the dial in the lift.

Other: The ladder at the top of the Empire State Building gets loose because a bullet hits one of the screws. It's not very likely that the five other fixtures would snap just because one got shot away.

Continuity: When Ann meets Kong on NYC street, the camera flashes back and forth between them. When it shows Kong, he is surrounded by snow, but when it shows Ann, the street doesn't have so much as a snowflake.

Other: When Ann Darrow is awaiting sacrifice to Kong she is hanging from tight thick ropes around her wrists. However, when Kong shows up he just grabs her and tears her from the plinth. Either the ropes should still be around her arms having been torn from their mounts, or her arms should have been ripped off.

Factual error: The New York scenes take place in winter, on a day cold enough for the lake in Central Park to freeze hard enough to hold Kong's weight. Despite this, Anne Darrow shows no hint of cold or discomfort, despite wearing a sleeveless gown. Kong takes her to the top of the Empire State Building, where it's even colder. Still no discomfort. In fact, she's able to climb a metal ladder, which should have frozen her poor little fingers off. By the time Driscoll reached her, Darrow should have been a block of ice. The effects of adrenaline would never have lasted to keep Anne warm for that long.

Continuity: When Anne comes out of the lake after fighting with the T-Rexes her hair is all wet, but after Kong has defeated the last Rex and puts her on his shoulder to start running, her hair is totally dry. Same happens after she and Jack crash in the river after letting go of the bat. Next shot you see them running towards the temple and her hair is, once again, completely dry.

Visible crew/equipment: On Skull Island, when Carl says, "No one has lived here for hundreds of years," the distinctive reflection of the reflector screen is visible in the lens of Preston's glasses, as he looks down; there are other moments in the film where this happens with characters' eyeglasses.

Continuity: When Bruce Baxter tries to wiggle his way out of having to get closer to the brontos so Carl Denham can get his scene on film ("Shouldn't there be a stand-in for this?"), the gun he holds that can be seen pointing up over his left shoulder keeps appearing and disappearing between shots from the front and back.

Continuity: When Ann is tied up as a sacrifice, waiting for Kong to appear, the position of the skull necklace round her neck differs between the close-ups and wideshot.

Continuity: When Kong holds Ann in his hand, as he sits near the top of the Empire State Building, the way she is positioned in his palm changes repeatedly, depending on the various camera angles.

Revealing: Near the end of the film, when people are running in terror out of the theater and into Times Square, you can see that the people are not leaving any footprints in the snow. The snow must have been digitally added to the scene.

Continuity: In the scene where Ann Darrow is brought to the Venture, there is a wide shot where she is walking and observing the ship. On one of the ramps (the closer one to her), there is a man who is carrying something up the ramp. In the next shot, if you look at the ramp he was on, he has disappeared.

Continuity: When Carl films in the valley, Bruce has multiple lines of rope round his shoulder which change position in the following consecutive shots.

Continuity: When Ann is with Kong on the cliff, her robe and belt repeatedly change position in consecutive shots, before, during and after she dances, somersaults, etc, to amuse Kong.

Continuity: Note the chrome centers on the wire wheels of the taxi that Jack commandeers towards the end of the film. Initially the left rear one is missing, but it magically reappears later on.

Revealing: When Ann is juggling for Kong on the cliff edge she starts juggling at one point. If you look closely, you can see that she is simply moving her hands, and the rocks have been added digitally. This is most obvious when she leans right back, and the rocks don't match her hand movements at all.

Continuity: Soon after Kong grabs Ann for the first time and is playing with her the wide shots show him violently shaking her around, enough to snap her neck or at least render her unconscious, but the close-up shots during the shaking show her being much more gently rocked from side to side.

Continuity: As Jack Driscoll flees Kong in a yellow cab through a narrow alley, the view through the (missing) windshield shows a pedestrian in light-color overcoat crossing leisurely at the other end. When the car eventually emerges in the immediate next shot viewed from the sidewalk, that particular pedestrian simply disappears.

Continuity: At the diner, Carl speaks with Ann while she eats, and things on the table change position depending on camera angle.

Continuity: At the end of the chase through the streets of NYC, Kong stops the yellow cab with a "karate chop" to the front-end, which sends the car tumbling high into the air through a complete somersault before it lands back down. Actually, Kong's hand is still half way down and nowhere near touching any portion of the vehicle when its rear-end gets lifted.