Revealing: In the changing room before the Final, Peter leans against a dark wooden pillar several times. It moves on each occasion.

Factual error: Peter and Lizzie play their semi-finals on the same day, but the men's semis are the day after the women's at Wimbledon (unless there has been significant rain, which there wasn't).

Revealing: Half of the crowds on centre court are made up of faceless dummies with clothes on.

Continuity: On the London Eye, Peter and Lizzie are looking at the Houses of Parliament from quite a height, so they've got around ten minutes before they're back on the ground (a "flight" takes around 30 mins). Jake walks up, Peter punches him, then immediately they run off in the hubbub afterwards, suddenly back at ground level.

Factual error: Peter Colt's men's semi-final appears to take place on an outside rather than show (Centre or Number 1) court. This would only ever happen if there had been sustained rain, which didn't happen.

Factual error: Peter and Lizzie are shown driving out of London in the early evening summer sun to escape to Peter's home in Brighton. This is about half way through the film. There is a clear shot of the car driving west on the A4 out of town. As Brighton is directly south of London this is definitely not the way you'd drive. If you wanted to go to Brighton from central London you'd take the A23/M23 all the way.

Continuity: In a couple of close up head shots of Paul Bettany in the final match, the tag in his shirt is visible. In one shot the size of the t-shirt is L (large), in a later shot within the same scene it says M (medium).

Factual error: Peter Colt only played 6 rounds instead of the supposed 7 in winning the Wimbledon championship. He played Ajay Bhatt in round 1, the French Open champion Ivan Dragomir in round 2, his best friend Diether Prohl in round 3, fellow Brit Tom Cavendish in the quarterfinals, Pierre Maroux in the semi-finals, and Jake Hammond in the finals.

Continuity: In the scene where Peter goes out to play Ajay Bhatt in his first round match we hear him thinking "It all ends here, at 2pm on Court 17.". Later after Peter has won the first point the camera pans back over him and the scoreboard which reads "Court No.8"

Revealing: Before Peter Colt plays his first round match there is an aerial shot panning across the Wimbledon complex with the commentator declaring, "this is the first day of Wimbledon." However, the aerial shot shows most of the courts are badly worn, as they would be at the end of the tournament. On the first day they, are always lush and green. The shot was taken from archive footage showing the end of a Wimbledon Championship.

Continuity: Peter states that his first match is at 3 PM, but when he goes out onto the court to begin the match we hear him thinking that it is 2 PM.

Factual error: Men's final day is held on the second Sunday of Wimbledon. However, at 7am on the morning of Peter Colt's final appearance, we hear the radio greeting of Radio 1's Chris Moyles. Moyles is a weekday not weekend breakfast DJ. This would only be possible if the final were held over from Sunday to Monday because of sustained poor weather, which didn't happen.

Audio problem: When Peter returns home for the first time he is seen in the kitchen with his mother and brother and they're discussing his father. When his brother Carl explains that their father is angry because their mother kissed another man, you hear Peter say "that'll do it". But his lips don't move.

Continuity: When Lizzie and Peter are talking in the sushi restaurant, Lizzie's hair moves positions between shots. In shots of her talking, her hair is in front of her shoulder. In shots of Peter talking, you can still see Lizzie and her hair is behind her shoulder.

Continuity: When Peter is going up to Lizzie's room with the fish and chips, he has cut himself shaving. The piece of paper he has stuck to his face starts off on the corner of his lip and then jumps down and left.

Factual error: The box housing players' close friends and family is at 2 o'clock from the umpire's chair (in front and to the right). In the final, it is shown as being diametrically opposite (behind and to the left of the umpire).

Continuity: In the final tennis scene the shadows change direction with practically every shot.