Visible crew/equipment: When Reuben is playing racquet ball with Leland van Lew, you can see the camera crew in the reflection of the glass wall. Also, the reflection of the lighting rig with a crew member standing beside it can be seen in Leland's glasses.

Continuity: In the scene when Sandy is dressed as Judas Iscariot, he is wearing a wig and a fake beard. He is clean shaven. The very next scene he has a three-day shadow, but only minutes have elapsed.

Continuity: In the scene when Reuben and Sandy are playing basketball for the first time, Sandy's t-shirt is tucked under in one shot, and the next it is fine and un-tucked.

Continuity: In the bathroom scene Reuben turns on the shower. A little later a bewildered Polly is looking at the bottom of the door door, from where thick steam clouds emanate. When it cuts back inside to Reuben, the steam is moving up and nowhere near the door.

Continuity: When Reuben "accidentally" bumps into Polly at her apartment for the first time, he sees her crouching on the floor trying to find her keys in her purse. Next to her is a shopping bag with a loofah in it, whose handle keeps dramatically changing position in each shot.

Visible crew/equipment: When Reuben and Stan have a joint pee, there is a front shot near the end of the scene where the rectangular stage lights are reflected in Stan’s glasses, which looks quite awkward because the white bars cover his irises.

Continuity: In the scene where Reuben and his client are playing racquet ball, the client smashes against the wall and his tooth falls out. He shows the tooth to Reuben and the hole in in his teeth where it used to be, but in the next shot, Reuben's client smiles and all his teeth are in place.

Other: The scenes that are supposedly located in St. Bart's have Chinaman's Hat in the background, which is a distinctive Hawaiian landmark.