Continuity: When Robert Duvall and Haley Joel Osment are talking by the lake, Hub's and later Haley's blanket repositions itself each time the camera cuts back.

Factual error: In the scene where Haley Joel Osment's character is sitting in front of the gas station, and the uncles are trying to talk him into coming home, the boy is holding a page from the phone book, looking at an area code map. The page says "US WEST" which did not exist in the 50's or 60's and never existed in Texas where the movie was set. US WEST was created in the 80's as a result of the breakup of AT&T and then existed only in the western US.

Continuity: In the scene where Hub fights the young punks, the level of Haley Joel Osments's drink keeps changing.

Continuity: While they eat their barbecue and the young punk disturbs Hub, Walter is holding his bottle with both hands. But in an overhead shot, he holds it only with one and the other arm is under the bar.

Continuity: As Walter and Mae arrive at the Uncle's house, Mae gets out of the car and fixes her make up. In the wide shot she does not have her parasol in her hand. The close up shows her parasol in her hand.

Other: The uncles fire shotguns a lot in the movie, but the guns have no recoil. Shotguns kick very hard which would be easily seen.

Continuity: When Walter puts the blanket over Hub's shoulders one can tell from the reflection that the moon is across the lake. However, Walter's shadow on hub indicates that the moon is behind him.

Continuity: The arrangement of eggs and sausages on Walter's plate keeps changing during his first breakfast at his uncles' house.

Continuity: When Walter's mother drives off Walters stands with his suitcase on the far side of the road. The camera cuts to the dogs chasing after the car, and when it cuts back to him he is standing on the other side of the road.

Continuity: After Walter jumps out of the car when he was leaving with his mom and Stan, he runs along the left side of a bridge. There are two wide shots from below where he is running on the right side.

Factual error: In the scene where Robert Duvall, Michael Caine and Haley Joel Osment are in a general store/coffee shop and the young punks come in, there is a Coca-Cola machine shown that has the "Wave" logo and a slogan that was used in the 1970s, not in the time period in which the movie took place (1950s/60s).

Continuity: When Walter's mother last drives off, all the dogs jump at Walter's window, then sit right next to the car. When the car pulls away however, the dogs are a few feet back and not in a line, but when the camera cuts back to the dogs, they are where they were to begin with.

Continuity: When Walter goes to bed in the tower room the light that appears through the windows is much too bright for the little petroleum lamp he was carrying.

Continuity: When Walter and his mom arrive at the uncle's house, he pulls one foot back into the car and then leaps back to avoid the dogs. The camera pans back and both feet are still on the ground.

Continuity: When Walter unlocks the chest he pulls the chain on the lid to the side. When the camera angle changes the chain is pointing towards him.

Continuity: In the scene where the boys tear off the side of the lion's crate, what you see them tear off is much smaller than in the next shot.

Continuity: When the airplane delivery man hands the manual to Hub, the piece he was just unloading changes from standing upright to horizontally between shots.

Continuity: In the first scene the uncles fly their airplane under a bridge past a police car that's doing speed checks. While they do so we see the police officer wake up twice.

Continuity: When the lion cage is standing in the yard, sunlight and shade keeps changing. First the cage is fully in the shade, but when the uncles approach the sun is shining on it. When the cage is open, the light on Garth and on the lion's fur comes from opposite directions. After the cage is closed it's back in the shade again.

Continuity: When Walter opens the chest its contents are covered by a smooth layer of sand. When he reaches in in the next shot there are already tracks made by his fingers. Then he removes the sand from Jasmine's photograph that we can see her face, but in the next shot the face is mostly covered again.