Continuity: In the scene where Neo meets the Oracle before the Burly Brawl, just after Neo looks at Seraph and says "so's he", from behind she is leaning her head on her hand, with her hand by her jaw. Then when we see her from the front (instant cut, no time she's not visible), her hand is against her temple when she says "keep going".

Visible crew/equipment: During the scene where Neo is talking to Agent Smith in the park area where Neo was talking to the Oracle, there is a close-up on Agent Smith's face. In his sunglasses you can see a bright white screen to reflect the light onto the faces of the actors. This isn't visible in any non-reflected angles.

Continuity: In the Burly Brawl scene towards the begining there is a birds-eye shot of Neo fighting four Smiths in front of him while moving backwards. He continues moving backwards and is hit. Just before the shot changes he is standing on a drain but when the shot does change he is about 3 feet in front of it.

Revealing: In the 100 Agent Smith fight, you can see (especially in the larger shots) that there are many Smiths that don't look like Smith at all. Also, for the ones that have Smiths face digitally painted on them, when they turn around you can see that the backs of their heads are all different.

Continuity: In the fight scene in the mansion, when Neo stabs the guy's hand with a sai, his hand is in the top part of it, but when the shot cuts his hand's now a) in the bottom half, and b) free of the sai anyway - he's just gripping the sword which is in the bottom half, with nothing trapping him.

Continuity: In the scene where Neo fights the Merovingian's henchmen he plunges a sword into one of them and pushes him off the balcony and jumps with him. The body falls near an already dead henchman. In the next shot when the others jump off the balcony the body with the sword is away from the first body.

Continuity: In the shot taken above the Twin's right arm just before the SUV smashes the trunk off the BMW we see that Trinity's Cadillac already made a left turn and is about 70 feet away. In the shot made from inside the SUV just after hitting the BMW, the Cadillac is still taking the turn and seems stuck on the sidewalk. The SUV is about to pass it to the left.

Continuity: The wound and the sleeve of the jacket on Trinity's arm changes after she's cut by one of the twins. When she's cut, the wound and rip in the jacket are thin and diagonal. As Morpheus is calling Link, the wound is not really visible and the cut in the jacket is now larger and squarer, and has changed direction on her arm.

Continuity: In the freeway chase, just after the brown 4x4 flips over, one of the twins is shooting at Trinity's car. In a shot from the front his head's well above the sights, and he's spraying bullets around a bit. From behind him, he's holding it tight into his shoulder and keeping his fire in one place.

Revealing: In the freeway chase scene when one of the agents jumps onto the hood of the first car then jumps off, the car flips, then a second later as the car is still flipping you can see the gas tank has been removed.

Revealing: On the freeway chase, when the agent jumps on the bonnet of the car and it flips over, check the underneath. There is no exhaust pipe and a reinforcing frame runs either side of where it should be.

Revealing: During the beginning of the freeway chase scene, a "Maximum Speed 65" sign can be seen along the freeway wall in the slow lane that is facing the opposite direction of traffic. Freeway traffic in that lane would only be able to see it in their rear-view mirrors.

Continuity: When Morpheus rolls out of the way of the Twins' car you can see his smoking, bullet-ridden car in the background. The door's wide open when he rolls, and a split second later when he slashes their car, the door's almost shut. No-one's anywhere near it.

Revealing: During the freeway chase there is a shot over the shoulder of one of the twins as he shoots at our hero's car. He rakes his stream of bullets from left to right following the car as it passes behind a white truck - notice, however, that there are already bullet holes in the truck before the stream of bullets ever reaches it.

Continuity: During the car chase, one of the Twins shoots at a car behind them to get it out of the way - the right side of the windscreen (as we look at it) is peppered with holes. From another angle, they disappear, only to reappear as it swerves away.

Revealing: When we see the car careen into the side rail of the freeway and flip over, we can see there are skid plates welded to the underside of the engine compartment and under the front suspension.

Continuity: During the freeway chase when the Agent lands on Trinity's car, the hood buckles and is bent quite a bit. However, when the camera shifts back to the car with the Agent on the hood, there is very little damage visible.

Continuity: In the scene where Trinity rides a motorcycle and is being chased by the police, we see the cop cars right behind her, almost nudging her back wheel. From behind her, she dodges a car, which crosses the road line and should stack right into the police car behind it, but escapes miraculously unscathed.

Continuity: When Trinity is on the freeway and sees the motorbike truck from the bridge there are several cars either side of the truck travelling at the same speed. When they jump over,the top down view shows no cars and also the following shot from under the bridge shows no cars.

Deliberate "mistake": When Morpheus is facing the twins' car, the road's not all that wide, and there are concrete barriers both sides of him. After he rolls to the side and slices their car, we see a side shot, quite far back from the road, and the barrier closest to the camera has disappeared (presumably so we get a better view). In a closer view, both barriers are back again.