Marsellus Wallace: Yeah, I grasp that, Jules. All I'm doing is contemplating the ifs.
Jules: I don't wanna hear about no motherfuckin' ifs. All I wanna hear from your ass is, "You ain't got no problem, Jules. I'm on the motherfucker. Go back in there and chill them niggers out and wait for the cavalry, which should be coming directly."
Marsellus Wallace: You ain't got no problem, Jules. I'm on the motherfucker. Go back in there and chill them niggers out and wait for the Wolf, who should be coming directly.
Jules: You sendin' the Wolf?
Marsellus Wallace: Oh, you feel better, motherfucker?
Jules: Shit, yeah, negro. That's all you had to say.
The tall "Big Kahuna Burger" bag, disappears when the camera faces Brett yet it's there when the camera is behind Brett. The bag is only a few inches to the left of the soda when the camera is behind him so it should be there in the front shots too, yet isn't. See more...
Danny Devito was an executive producer on this film. In Devito's film "Twins", the names of the two main characters were Vincent and Julius. See more...
Directed by Quentin Tarantino, starring Amanda Plummer, Bruce Willis, Eric Stoltz, Harvey Keitel, John Travolta, Rosanna Arquette, Samuel L. Jackson, Tim Roth, Uma Thurman, Ving Rhames (add more)
The "questions" section is for any random questions that occurred to you while watching this film, or anything you didn't entirely understand, and which Google or the IMDb can't help with. Submit them as a question, and hopefully someone will answer (the bold comments in brackets) - check back regularly. If the answer is wrong, or missing information, please use the "clarify answer" option. Don't feel limited - want to know what music played in a certain scene? Whether this was the first film to use a certain effect? Here's the place to ask!
What's the music heard as Butch and his girlfriend ride away, just before "The Bonnie Situation" begins, since the track is not on the film's soundtrack? [The music is a variation of the theme to "The Twilight Zone", likely created by the music supervisor for the scene in support of Butch's observation that "This has been the weirdest, f*ing day of my life."]
Answered by OneHappyHusky
When Vincent and Mrs Wallace first enter Jack Rabbit Slim's there is a tune playing in the background. Kind of a haunting, bass, bluesy riff. Can anyone tell me the name and/or artist of the tune? [The song is Girl, You'll be a Woman Soon. Not sure if it is the Urge Overkill version but it is a remake of Neil Diamond.]
I get that all of the scenes may be shot out of sequence. However, I don't understand when exactly John Travolta dies. When he is shot by Bruce Willis after coming out of the bathroom, Travolta is wearing the plain suit, yet he leaves the coffee shop restaurant with Samuel L.Jackson, the two are wearing the old T-shirts and short shorts. And they were given those clothes after their original suits got all bloodied. [There's a long period of time between those two scenes, at least long enough for him to put on some new clothes. I doubt he only has one suit, considering the business he's in.]
Answered by Gary O'Reilly
Is there any particular reason Butch looks at Vincent with such hatred when they meet at Marcellus', or is it just because Vince was being rude? [It is because he is being rude. Butch has never met Vincent before, but Vincent was rude to him anyway. This is also setting up the tension between them for later in the film. Perhaps if Vincent had not been so rude to Butch at the bar, Butch might not have blown him away when he finds him at his apartment later on.]
Answered by Jazetopher
The scene where Mrs. Wallace is interviewing Vincent with a video camera - why is it on the version usually shown on television, but not on my DVD (Special Edition from the U.S.)? Was it in the original theatrical release? [It was not in the theatrical release but it does appear on some DVD releases under deleted scenes. The version shown on US Network television differs a lot from the theatrical release. Some scenes have been removed (like all drug related scenes) and some have been added (probably to compensate for the scenes taken out). Check out the following site for a more comprehensive list of changes.
http://www.imdb.com/title/tt0110912/alternateversions.]
This one applies to many gangster/action movies but, what is the idea of pulling the firing pin back manually when getting ready to fire your gun? [It depends what you mean. On a revolver, pulling the trigger will pullback the hammer and release it. But if you pull the hammer back manually, then only a small touch is needed on the trigger to fire that first shot. On an automatic, the first round must be chambered from the magazine (by manually pulling the slide back), each subsequent shot will do this automatically. On some weapons such as a Colt .45, the hammer MUST be pulled back (either manually, or from the previous shot). Generally speaking, they do it in films as a threat. For some reason film makers think this is more threatening then just having a loaded gun pointed in your face.]
When Mia and Vincent first sit down at Jack Rabbit Slim's, they are shown to the table by a dwarf. After the dwarf seats them he walks off around the corner yelling something. What is he saying? [He yells "Phone for Phillip Morris".]
About "the gimp" in Maynard's store. Who/what was it exactly? And why was he sleeping inside a box? [We're never told and it's never explained who he is. Zed and the other guy in the pawn shop make him sleep in the box. He's their sex prisoner.]
Answered by Jane Doe
Why are the bullet holes that appear behind Vincent and Jules, in the "The Bonnie Situation" chapter, regarded as a "Mistake" on this website? I thought they are there to show it wasn't really a miracle at all. [The mistake is that in the shot before the guy comes out of the bathroom firing his gun you can see the same bullet holes in the wall as after he finishes firing his gun. Those bullet holes were not meant to be there already as you can see before this is completely clear of any holes.]
Answered by Lummie
When we first see Marcellus he has a plaster on his neck. Anyone know why? [Some would say that it's a plot device to show that Wallace sold his soul to the devil (the devil removes the soul through the neck) and the contents of the briefcase is his soul. The real answer is that Ving Rames had a small cut on the back of his neck.]
What exactly does the title of this film mean? Is there even an answer to that? [It is a reference to a class of fast-paced, sensationalistic, and frequently exploitive stories published in cheap magazines from the 1920's through the 1950's. They were called 'pulp' because of the cheap quality of the paper they were printed on, as opposed to the 'slicks' which were more like full-color magazines of today.]
When we first meet Jody with all her piercings, she tells Vincent her tongue piercing helps "fellatio". what does this mean, or do I really want to know? [Fellatio is an oral sexual act. A quick search in Google will give you many examples.]
Answered by Jane Doe
I know that we will never know what's meant to be in the briefcase, but what was in there for shooting the scene (neon lights maybe)? [Tim Roth said in an interview just a normal light bulb was used.]
Answered by Lummie
The movie is obviously shown out of sync. Can anyone let me know, if the movie was shot in sync what would be the very first scene and what would be the very last scene? [I know that the very first scene is the second scene in the film, with them going to kill the students. The last scene would therefore be the last scene of "The Gold Watch", where Butch and Fabienne zoom off into the distance on Zed's chopper. This is because Butch kills Vincent Vega in "The Gold Watch", yet Vincent appears in both other stories.]
Answered by Scrappy
I know that in the movie you never get to know, and I've read almost every theory, but has anyone answered, once and for all, officially, what's in the briefcase? [No one will ever know. Quentin Tarantino has even said so in interviews. It's supposed to be a classic 'McGuffin' - a term spawned by Hitchcock to describe an object on which the plot hinges without being important to the outside viewers.]
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