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In the shot where we see all the terrorists (except Karl and Theo, who are upstairs) walking into the building from downstairs, they are about to walk through a doorway when the camera cuts out. Watch the terrorist on the left (he's the one who guards the door) - before the camera cuts out he realises he's about to hit the doorframe very hard. Reminiscent of the Stormtrooper in Star Wars.
As Tom Cruise and Elisabeth Shue are walking on the beach on their first date, they walk towards the camera, and you see the shadow of the camera crew very clearly.
When they are at the Nutmar camp in the mountains, Val Kilmer tells Willow "Get on that shield!" but when they go over a 6, 7, 8 foot drop when they are sledding down the snow, you can clearly see runners on the shield.
There is a scene where Arnie and Danny DeVito are in the washroom of a nightclub. In one shot there is a beer bottle on top of a shelf, and in the next shot it's gone.
After Jim's horse is shot from under him while running down the really steep hill, and Jim later regains consciousness, before he turns and finds his horse dead, if you watch closely you can see the horse still breathing.
During the chase scene, Steven Seagal has his tyre shot as he's fleeing from the bad guys. In the next shot, the tires are totally gone from the rims, then they're back again, then they're gone again.
In the scene in the restaurant where Tom Cruise and Dustin Hoffman are trying to order breakfast, Hoffman's character fixes the salt and pepper shaker a certain way. In the next shot they are opposite the way he fixed them. Then in the next shot they are back to the way he had fixed them.
In the scene when the weasels are at Eddie's apartment and Roger is handcuffed to Eddie, Roger runs under the bed and drags Eddie on the floor. As he pulls him you can clearly see a board with wheels under Eddie that is pulling him under the bed.
Rambo has a cut on his left cheek bone that is forever getting smaller, bigger, scabby and in some scenes it's gone. Sometimes it's white, sometimes red. This all happens in one day.
When Charlie and Daisy get the flat and have to hitch-hike, and Daisy takes off her shoes to run to the car that has stopped, the bottoms of her feet are already filthy (presumably from having to do the scene over and over).
In the final scene as Doc tell Billy good-bye if you look up to the top right hand corner of the screen you can clearly see a jet trail in the blue sky. Certainly not possible in those days.
As the brown truck drives away in the scene after the man working in the newspaper office is "harpooned" by a Critter, if you look closely as the truck turns a corner you can see some Critters rolling after it. Well, after they roll past the truck in the bottom left of the screen you can see the Critters roll right smack into another parked car. Obviously the crew forgot to add a turning feature to their Critter balls (which were just some fur taped to a basket ball).
There is a scene where the kids are being chased in a speedboat, while mortars are being launched at them from behind. One shot is of the young boy looking at an incoming mortar over his <em>right</em> shoulder, yelling "Look Out!", and then seeing the mortar hit on the <em>left</em> side of the boat.
In the barber shop scene at the end of the film, Agent Anderson terrorises Deputy Sheriff Pell (who has a full head of hair) with a razor blade. Anderson throws him across the room, but the person being thrown across the room has a mostly bald head.
In the scene where the souls are coming out of Freddy's chest, in the first close-up on the bottom left of the screen you can see a man's hand holding a black stick to manuoever the little arms. It's real fast but noticable on standard play.
Any time when the two girls are in hell's corridors and running around, you see these corridors as stone walls, yet whenever they back up against one of these walls, you can clearly see they are merely rubber sheeting overlayed on a framework as the rubber sheeting bends and contracts very clearly.
When Eric is riding through the hills and fields away from the cops, with MAC in his lap, ramps can be seen to help him with maneuvering his wheelchair easily.
About 40 minutes from the end (I think - Michelle Pfeiffer is on a beach with Dean Stockwell), a boom mike comes in from the bottom of the screen <i>very</i> obviously, taking up about a third of the screen.
When the bad guys are outside in the hotel in the convertible, they spot Lassard and one of them spits milkshake over the inside of the windshield. The milkshake disappears in the next shot.
In the bathroom scene where Mike's ex-girlfriend is getting undressed to take a shower a long-necked clown jumps from out of the toilet. Anyone and I mean anyone can clearly see the arm of a white guy sticking out of the bottom of the clown's neck controlling the puppet.
When Johnny is spinning the two robbers around, you can tell that he is actually holding dummies. In the close up shots of the robbers, you can see them kicking their legs, but in the wide shots of the room, they are rigid and lifeless.
In the scene were Jake is in the bed already after telling Christy he was really tired and didn't want to be bothered he rolls over. She comes out of the bathroom & of course fanning the room from all of his cologne. Christy lays down in bed flat with no pillow behind her head. In the next scene showing Jake's face & Christy behind him in bed she now has a pillow under her and is much higher up in bed.
When Tereza first gets her camera she takes photos which show Prague street life pre-Soviet invasion. So presumably it's late 1967 or early 1968. The background music is a Czech cover version of "Hey Jude" by the Beatles. This song wasn't released in the west until 1969.
When Tess arrives at Cyn's party at the bar, she finds Mick drinking. She joins him and puts her purse on the table. Mick asks her to dance and the next shot you can see purse strap is back on her shoulder.
At the end when Michael Jackson is singing come together, at the end of the song his shirt is undone, but when the camera shoots back on him his shirt isn't ripped.
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