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In the last scene where the main character escapes, he jumps into the bay and is supported by a sack which he is carrying. Actually you can clearly see that he is supported from underneath by a diver.
When Barbara Streisand meets Robert Redford on the street at the end of the film, the camera shoots her from behind and her coat collar is standing up. When the angle shifts to the front, her collar is neatly in place.
During the archery constest, in one scene Prince John has a ring on his right paw with no jewel, then all of a sudden the jewel appears. a few scenes later he has three rings on that paw, and later he has no rings at all.
In the first scene where the truck drives along the road, if you look in the top right hand corner you can see the shadow of the helicopter that was filming the shot.
During the fight scene between Han and Bruce Lee toward the end of the movie, Bruce Lee knocks Han to the ground. The shot changes to show a frontal view of Bruce as he lands a crushing kick on Han. It looks like Han was replaced with a dummy for this shot, as Bruce's kick seems to just send Han across the room. As I reviewed the scene, I could see that Han was actually a dummy of some sort .
In the scene where Kananga's henchman Adam is being interrogated by Sheriff Pepper by his car at the riverside, the boat chase arrives and two boats jump clearly over head disillusioning Sheriff Pepper and allowing Adam to make a quick getaway. However, as Adam is getting away in his car, screeches can be heard coming from the tyres, but they are on a dry dirt road.
After Col. Rolland plays the tape revealing the identity of the traitor, a minister walks from the room and passes Rolland who has one hand on his forehead. Cut to a rear view and now Rolland has both hands on the tape player.
In the director's cut, there's a scene where the bar-owner is tied up to the bed. A few seconds before it cuts away, a crewmember's leg can be seen on the left hand side.
In one scene the actress is wearing a tight fitting sweater which clearly shows that she is wearing a bra. In the next shot she stands up to say she is off to have a shower, whips off her top and - you've guessed it - no bra!
During the first moonshine run chase, and after dealing with the passing train, Gator's car alternatively does and does not have the back glass installed. This is most noticeable while in the lumber yard and afterwards. It isn't lost or damaged during the chase. It's just there, or not, at random.
After the pimp is stopped by the policeman on the motorcycle and shot, the camera pulls back showing the pimp's arm lolling through the car window and the reflection of the camera crew moving about on the back, driver's side wing.
At one point D'Artagnan reaches the Duke of Buckingham, who is on a hunt. He has just killed a stag and his hands are covered in blood. D'Artagnan rides up and offers him a note from Queen Anne. He wipes his palms with a cloth before he takes the note, but his hands are still covered with blood up to and above the wrists. When he reads the note, he and D'Artagnan take off on foot for his castle where they go into a private room behind the walls. Suddenly it is apparent that his hands are perfectly clean right down to his scrubbed fingernails and, without explanation, the plot-heavy sequence continues.
At the beginning of the scene in which Diane Keaton rides on Woody Allen's back across the water, she is wearing clunky platform shoes. Later in the scene, her shoes have inexplicably changed to Keds-style tennis shoes. At the beginning of the next scene, she is wearing the platform shoes again.
Right at the start of the movie, the dogs go though the bank's front door, which can only be opened from the outside, which means someone had to have opened the door for the dogs.
Towards the end of the film when "Molly" is chasing Varrick's aircraft, the front fenders of his car have miraculously repaired themselves having been stoved in earlier when he crashed into various other cars in the scrapyard as he first went for the kill.
Trixie Delight's room number in the hotel is 235, but when Imogene and Addie go to Addie's hotel room, which is right next to Trixie's, the number on the door says 235, too.
In the bedroom scene, Barbara Windor gets her dressing gown caught in the bed spring and has to take it off. When Sid James tries it on, he has no trouble removing it from the bed.
Shortly before Sol's death, Thorn rushes into the suicide center and talks to him from the control room above. When Sol pleads Thorn to listen, there's interference on the intercom. Now watch the control panel: The earphone cable on the left side dangles back and forth each time the "speaking permitted" sign flashes on and off, blatantly revealing the cheap trick they used to make the display flashing - they simply toggled the "on" and "off" frames.
On the night of 19 October 1933 the railroad workers begin betting whether A-One will make it to Portland on the 19. A quick closeup of the money changing hands reveals the $1's to have the Great Seal reverse (introduced in 1935) plus the motto IN GOD WE TRUST (introduced in 1957). Also, the green-seal Federal Reserve Notes and the red-seal United States $2 notes are of the types first introduced in 1934.
When Jack goes to the surgery to take his pleasure with the nurse, he chalks on the blackboard on the door that the nurse will be unavailable for 30 minutes. When Blakey arrives, the 30 minutes note has gone from the blackboard. But when Blakey opens the door with his passkey, the 30 minutes note has re-appeared on the door.
In the scene where Ka and Bee jump over the "wall" towards the end after attaching the bomb to the boat, they have nothing on their backs; but when they jump into the water, the 'holder' of the bomb is seen on their backs again and the woman takes it off then.
In the final scenes where Sheriff Pusser drives a police car to the Lucky Spot, just before he arrives, in the long shot of him driving down the highway, the patrol car has red lights on it's roof. When he arrives and drives the car through the bar, the car has blue lights.
The records played in the fairground sequence "Sealed with a kiss" by Brian Hyland and "Runaway" by Del Shannon date from the early sixties, while this part of the film is set 1n 1959.
Scheider is honking the car's horn during the chase, but a close-up shows him pushing on the top of the outer rim of the steering wheel, while the horn switch is actually part of the center pad.
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